That's why I felt a little queasy about going to see Million Dollar Baby.
In the last dozen years, Eastwood has directed as diverse a group of pictures as anyone in movies: And now Million Dollar Baby — moody, provocative, and more. Million Dollar Baby is the tale of a wounded trinity: Maggie comes to Los Angeles, leaving her trailer trash family in the Ozarks, fervent in her pursuit of an unusual dream, which is to become a professional boxer.
She is anxiously committed to getting veteran Frankie Dunn to train and manage her, but Frankie has no interest — he totally dismisses her, scoffing at the idea of female boxing.
Frankie has his own demons. He is completely estranged from his daughter, and he also feels endless guilt for once letting his friend Scrap continue in a brutal Baby dollar essay million which cost him one eye.
A relationship develops between them that becomes like father and daughter, and Frankie — who has given up taking chances — starts taking risks professionally and emotionally.
It leads to triumph and a fateful dilemma for Frankie that ends in tragedy — uplifting but devastating. But it fits the 74 year old. Paul Haggis adapted it essentially from a story in Rope Burns, a collection of short fiction by F.
Toole the pen name for the late cut man Jerry Boyd. Eastwood employs a veteran crew, many of whom have been with him for 25 years or more. The age and experience of Eastwood and many of his collaborators give Million Dollar Baby some of its traditional feel.
Although it is about a contemporary subject — female boxing — it has an old-time dramatic quality. Much of this is due to the prowess of the three principal actors. The scenes between Eastwood and Freeman are like quiet jazz. Hilary Swank potently adds to the riffs.
The trio play off each other to some wonderful effects. Not so fortunate are some of the lesser players. Least effective is Jay Baruchel as Danger, an inept, mentally-thwarted would-be boxer.
It is as though Ken Curtis walked in from the set of a John Ford film. Baruchel is a Canadian with limited acting experience, and this film puts his lack of experience into woeful contrast with the treasure trove of talent around him.
It is a brave, restrained performance. One of the major themes in past Eastwood films is redemption, but Eastwood resists an interpretation of Frankie as redeemed after his climactic act. William Munny in Unforgiven may come to mind.
At the end of Million Dollar Baby, Eastwood also counts on his audience. The final image is opaque. It belongs to the audience to interpret it the way they feel like interpreting it. I like it when the audience can play around with it.
The reviews of Million Dollar Baby have been especially sanguine. They make a positive statement about the film, but even more they are an affirmation of Eastwood.
One of the reasons is that at this time of so many banal remakes and artificial movies made from TV shows, reviewers are thankful for an uncompromising effort. A second reason for the enthusiasm of the reviews is that Million Dollar Baby is like an expected gift.
What else could he do? But Million Dollar Baby keeps the door open. And most reviewers welcome it and are grateful. With Million Dollar Baby, Clint Eastwood adds new notes to old music — which is how a master auteur continues to prevail.Film Review: Million Dollar Baby.
the bulk of one\’s review essay will be an evaluation of how convincing was the filmmakers representation of his/her subject, and a commentary on the films contribution to a broader understanding of important issues in American/Western society. The Movie Review: 'Million Dollar Baby' Million Dollar Baby, in other words, ought to be a cheap exercise in audience manipulation.
But it's not- . Free Essay: Amberly Ebelsheiser Prof. Owens Theater January 22, Million Dollar Baby The film, Million Dollar Baby, is a very powerful story of a.
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Million Dollar Baby Essay examples - Million Dollar Baby Million Dollar Baby, Clint Eastwood’s latest movie as a director has been getting more and more positive reviews recently and it .
Yet disability criticism is dismissed as mere "political correctness," for "Million Dollar Baby's" ethic resonates emotionally: People think it kind to grant the wish of a severely disabled person.